- Lou Hamilton
- Nov 30, 2025
- 3 min read
I recently, received a comment (a long one as you'll read) from a casual viewer on the YouTube channel in response to an older video about how much you should spend on a Phono Cartridge:

"If you use a better cartridge, and you set it up properly (few people do, even if they think that they do), then that cartridge will sound better. Now, there are other factors: Your turntable must be level. You need to have your turntable isolated from vibrations. There are a number of ways to accomplish that. If you just plop down your turntable on a desk or a shelf, then it is not isolated from vibrations. Even if you do not hear any feedback, or anything that sounds wrong, you are losing out on the sonic quality of your stereo. After you isolate your turntable from vibrations, it will sound a whole lot better. Everything will become better focused. The next issue is the vinyl pressings. Most are defective. By that, I mean that their sound quality is between sucking and so-so. That is 50%+ of all pressings. Only 2%, in my estimation, have outstanding sound quality. And that is for only one of the two sides. It is rare to find outstanding sound quality on both sides of a pressing. If you happen to land one of the gems, you will hear how much better your stereo sounds. Perhaps 10% of pressings have very good sound quality. Basically, quality control is not a priority for record companies. If you professionally dial in your turntable / tone-arm / cartridge's vectors, so that the stylus rubs only where it should rub, and not anywhere that it should not rub, and also isolate your turntable from vibrations, and also play better sounding pressings, then upgrading your cartridge will make you very happy. But note that just because you purchased an upgrade does no mean that you will like that upgrade. Until you get into the extreme elite of phono cartridges, few of them sound neutral. They all have a character to their sound. And it is really hard to know which one will have a sonic character that pleases your ears. All it takes is one shortcoming, or one stand-out character that could grind on your nerves. Even with elite phono cartridges, they, too, sound different. They sound amazing, and yet different. Like driving a Ferrari, and then driving a Lamborghini, and then driving a Rolls Royce, etc. All amazing, and all different. There are 8 alignment settings (that I know of) for dialing in every vector of your turntable / tone-arm / cartridge. If you miss one of them, it is like having your car's tires rubbing against a curb. You must dial all of them in, accurately. You need special tools, and the skills to get it right. A $250 cartridge, professionally dialed in, will probably sound better than a $1,250 cartridge from the same brand, if the latter is not properly dialed in. Lastly, a big problem with cartridges is quality control. Approximately 50% of them have zenith alignment issues, which are uncorrectable. Adjustments can be made to compensate. But that is not as good as not having to employ a corrective fix (which will never be the same as not having needed the fix). A tiny zenith alignment issue is not a big deal (depends on how sensitive you are). But some cartridges, even multi-thousand dollar cartridges, have severe zenith alignment issues. Those are defective, and should be returned as defective."
And Here was My Response:
"You have basically stated every possible reason to not buy or even play records. It's this sort of approach, and I understand "perfection", that simply takes the joy out of listening to music..."
Nothing is perfect and it amuses me that people prefer a recording of a band over their live performance. That's why I point to "Audiophiles" as spending a lot on a system and having less than 50 recordings and those only "approved" by other audiophiles.
It is what causes others not even to try as they don't want the hassle to listen to music or just buy a Sonos unit and call it a day.
As for the principals of turntable performance, I stand by my comments.
-Lou






